In Why Poetry, award-winning poet, translator and editor, Matthew Zapruder argues that the way we have been taught to read poetry is the very thing that prevents us from enjoying it. Anchored in poetic analysis & steered by Zapruder’s personal experience of coming to the form, Why Poetry is engaging & conversational, even as it makes a passionate argument for the necessity of poetry in an age when information is constantly being mistaken for knowledge. He takes on what it is that poetry—and poetry alone—can do. Most important, he asks how reading poetry can help us to lead our lives with greater meaning and purpose.
“As a descendent of Chantal Akerman and Unica Zürn—among others—Yanara Friedland reimagines the origin myth. Friedland’s permeable pages allow the reader entryway into a “mirror [that] becomes an open door,” a door through which we hear the echo of Ana Mendieta telling us “There is no original past to redeem: there is the void.” Uncountry is an invitation to that void, and Friedland serves as dream guide through this blend of the personal, political, and stunningly poetic”–Lily Hoang; Uncountry: a Mythology is winner of the Noemi Press Fiction Prize
“Mary Ruefle’s careful, measured sentences sound as if they were written by a thousand-year-old person who is still genuinely curious about the world… She combines imagistic techniques from surrealism with narrative techniques to create surprising, high-velocity, and deeply affecting work.”–The Stranger; “Mary Ruefle is, in this humble bookseller’s opinion, the best prose-writing poet in America. (And one of our best poets, too.) My Private Property, her latest collection of stories, essays, and asides, is as joyous and singular a book as you’ll read…”–Stephen Sparks, Literary Hub
“A powerful & memorable meditation on the social & economic value of art in a world ruled by the pursuit of power.”-Publisher’s Weekly; In the court of the King, everyone knows their place. But as the Artist wins hearts & egos with his ballads, uncomfortable truths emerge that shake the Kingdom to its core. Part surreal fable & part crime romance, this prize-winning novel from Yuri Herrera questions the price of keeping your integrity in a world ruled by patronage & power. “Yuri Herrera must be a 1000 years old. He must’ve traveled to hell, & heaven, & back again. He must’ve once been a girl, an animal, a rock, a boy, & a woman. Nothing else explains the vastness of his understanding”-Valeria Luiselli
Gregory Pardlo “explores what is American, what is African American, what is the Other, what is city, what is suburban, what is personal & what is persona. Digest offers a changing, rich landscape of verse both haunting, funny, & rigorously intellectual–Jerry Magazine; He “renders history just as clearly & palpably as he renders NYC or Copenhagen or his native New Jersey. But mostly what he renders is America with its intractable conundrums & clashing iconographies. With lines that balance poise & a jam-packed visceral music & images that glimmer & seethe together like a conflagration these poems are a showcase for Pardlo’s ample & agile mind, his courageous social conscience, & his mighty voice.” -Tracy K. Smith
What are the forces that shape our most elemental bonds? How do we make lifelong commitments in the face of identities that are continuously shifting, and commit ourselves when the self is so often in flux? What happens to love in the face of the unexpected, in the face of disappointment and compromise–how do we wrest beauty from imperfection, find grace in the ordinary, desire what we have rather than what we lack? Drawing on literature, poetry, philosophy, and theology, Shapiro writes gloriously of the joys and challenges of matrimonial life, in a luminous narrative that unfurls with urgent immediacy and sharp intelligence.
“Here is the story about biotech that VanderMeer wants to tell, a vision of the nonhuman not as one fixed thing, one fixed destiny, but as either peaceful or catastrophic, by our side or out on a rampage as our behavior dictates–for these are our children, born of us and now to be borne in whatever shape or mess we have created. This coming-of-age story signals that eco-fiction has come of age as well: wilder, more reckless and more breathtaking than previously thought, a wager and a promise that what emerges from the twenty-first century will be as good as any from the twentieth, or the nineteenth.” —Wai Chee Dimock, The New York Times Book Review