Mattilda Bernstein Sycamore : Sketchtasy

“Sycamore paints an unsparing and unsentimental portrait of survival in a homophobic era, and her writing is beyond beautiful. Sketchtasy is a powerful firecracker of a novel; it’s not just one of the best books of the year, it’s an instant classic of queer literature.”—Michael Schaub, NPR Books

Jeffrey Yang : Hey Marfa

“Yang rebuilds for the reader a town that is notable for its many stark contrasts: restored & ruined buildings, wealth & poverty, international art & border enforcement. Hey, Marfa makes a remarkable poetic accounting of the ways imagination is currently working with & against the histories & myths of the US/Mexico borderlands & the American West.”–Tim Johnson; “Hey, Marfa a commonplace book, memoir, & hybrid obituary for things: following a trail of ‘last words’ & communal losses, here is a History learning to listen with eyes & Mourning recovering the dead travelers on the road. Hey, Marfa transmits voltage or vitalized matter as words reach to words.”–Susan Howe

Layli Long Soldier : Whereas

“Long Soldier reminds readers of their physical and linguistic bodies as they are returned to language through their mouths and eyes and tongues across the fields of her poems.”—Natalie Diaz for The New York Times Book Review;  “Layli Long Soldier’s movement between collective and personal makes this book intimate and urgent. She has charted new ways to write in what’s left out—and not merely in the margins either. WHEREAS offers a powerful reckoning.”National Book Critics Circle Award judges’ citation

Dubravka Ugrešić : Fox & American Fictionary

Dubravka Ugrešić is considered one of Europe’s most distinctive novelists and essayists.  She is the 2016 winner of Neustadt International Prize for Literature for her body of work, joining literary luminaries from Gabriel Garcia Marquez to Elizabeth Bishop to Octavio Paz.  In 1991 when war broke out in the former Yugoslavia, Ugrešić took a firm antiwar stance, critically dissecting retrograde Croatian and Serbian nationalism, the stupidity and criminality of war, and becoming a target for nationalist journalists, politicians, and fellow writers in the process. Subjected to prolonged public ostracism and persistent media harassment, she has lived in exile since 1993.

Anna Moschovakis : Eleanor or The Rejection of the Progress of Love

“Anna Moschovakis takes the reader straight to the terrifying edge: that moment where one ages out of youthfulness & begins to flutter in the debris of middle living, flattened out by technology, wild-goose chasing one’s data. Yet, the deeper we look into Eleanor’s unsettledness, the more we see & the more hope we find in her rhizomic wandering. This is a beautiful slow burn of a novel.” —Renee Gladman;
“By turns funny, melancholic, & provocative, Anna’s novel undoes & remakes the conventions of realist fiction through repetition & compression of time . . . It is ‘luminously ordinary’ in its progression, where profound shifts are as small as a postcard written or a hand touched.” —BOMB

Dao Strom : You Will Always Be Someone From Somewhere Else

In Dao Strom’s collection of poetic fragments, You Will Always Be Someone From Somewhere Else, translated by Ly Thuy Nguyen as Mình sẽ luôn là người nọ đến từ nơi nọ, the fragments are wholly filled– with text: English, Vietnamese, drifting, entwined, dense, vanishing– with space: empty, white, solid, black– with images: cropped, multiplied, sliced, erased– & with punctuation: plus, minus, inequality signs, slashes, brackets, & bullet points imbued with as much meaning as entire novels. “After you depart from the cinema of her sea, you may ask, what or who is she? …why is she able to dismantle my soul so easily? …how is she able to make desolation so compellingly hospitable? What is her secret?”–Vi Khi Nao

Forrest Gander : Be With

“Forrest Gander’s life partner, the poet C.D. Wright, died suddently a little more than two years ago, and this book is one result or record of the aftermath of that loss. In poems that are utterly naked and bereft, elegies, apologies, could-have-beens, Gander grieves and wonders about what’s left in his life. There is so much pain in this book—perhaps too much, almost too much—but what is poetry for if not for this? And there’s more life in one of these dark words than in most entire books. Reading this book may hurt, but it will help people to keep living through what they thought they could never survive.”–Craig Morgan Teicher for NPR