“No one, clearly, has ever told Mitchell that the novel is dead. He writes with a furious intensity and slapped-awake vitality, with a delight in language and all the rabbit holes of experience…In his sixth novel, he’s brought together the time-capsule density of his eyes-wide-open adventure in traditional realism with the death-defying ambitions of Cloud Atlas until all borders between pubby England and the machinations of the undead begin to blur…Not many novelists could take on plausible Aboriginal speech, imagine a world after climate change has ravaged it and wonder whether whales suffer from unrequited love…Very few [writers] excite the reader about both the visceral world and the visionary one as Mitchell does.”—The New York Times Book Review
In drought-stricken Portland, Oregon, a Robin Hood-esque water thief is caught on camera redistributing an illegal truckload of water to those in need. Nicknamed Maid Marian—real name: Renee, a twenty-something barista and eternal part-time college student—she is an instant folk hero. Renee rides her swelling popularity and the public’s disgust at how the city has abandoned its people, raises an army . . . and secedes a quarter of the city. Sherwood Nation is the story of the rise and fall of a micronation within a city. It is a love story, a war story, a grand social experiment, a treatise on hacking and remaking government, on freedom and necessity, on individualism and community.
A crisis has swept America. Hundreds of thousands have lost the ability to sleep. Enter the Slumber Corps, an organization that urges healthy dreamers to donate sleep to an insomniac. Under the wealthy and enigmatic Storch brothers the Corps’ reach has grown, with outposts in every major US city. Trish Edgewater, whose sister Dori was one of the first victims of the lethal insomnia, has spent the past seven years recruiting for the Corps. But Trish’s faith in the organization and in her own motives begins to falter when she is confronted by Baby A, the first universal sleep donor, and the mysterious Donor Y. Sleep Donation explores a world facing the end of sleep as we know it, where “Night Worlds” offer black market remedies to the desperate and sleep deprived, and where even the act of making a gift is not as simple as it appears.
All Our Names is the story of two young men who come of age during an African revolution, drawn from the safe confines of the university campus into the intensifying clamor of the streets outside. But as the line between idealism and violence becomes increasingly blurred, the friends are driven apart—one into the deepest peril, as the movement gathers inexorable force, and the other into the safety of exile in the American Midwest. There, pretending to be an exchange student, he falls in love with a social worker and settles into small-town life. Yet this idyll is inescapably darkened by the secrets of his past: the acts he committed and the work he left unfinished. Most of all, he is haunted by the beloved friend he left behind, the charismatic leader who first guided him to revolution and then sacrificed everything to ensure his freedom. Writing within the grand tradition of Naipul, Greene, and Achebe, Mengestu gives us a political novel that is also a transfixing portrait of love and grace, of self-determination and the names we are given and the names we earn.
It’s 2015, and Patricia Cowan is very old. “Confused today,” read the notes clipped to the end of her bed. She forgets things she should know—what year it is, major events in the lives of her children. But she remembers things that don’t seem possible. She remembers marrying Mark and having four children. And she remembers not marrying Mark and raising three children with Bee instead. She remembers the bomb that killed President Kennedy in 1963, and she remembers Kennedy in 1964, declining to run again after the nuclear exchange that took out Miami and Kiev. Two lives, two worlds, two versions of modern history. Each with their loves and losses, their sorrows and triumphs. Jo Walton’s My Real Children is the tale of both of Patricia Cowan’s lives…and of how every life means the entire world. “It explores issues of choice and chance and destiny and responsibility with the narrative tools that only science fiction affords, but it’s also a deeply poignant, richly imagined book about women’s lives in 20th- and 21st-century England, and, in a broader sense, about the lives of all those who are pushed to the margins of history: the disabled, the disenfranchised, the queer, the lower middle class.”—Publisher’s Weekly signature review
An Untamed State is a novel of privilege in the face of crushing poverty, and of the lawless anger that corrupt governments produce. It is the story of a willful woman attempting to find her way back to the person she once was, and of how redemption is found in the most unexpected of places. An Untamed State establishes Roxane Gay as a writer of prodigious, arresting talent.
“Once you start this book, you will not be able to put it down. An Untamed State is a novel of hope intermingled with fear, a book about possibilities mixed with horror and despair. It is written at a pace that will match your racing heart, and while you find yourself shocked, amazed, devastated, you also dare to hope for the best, for all involved.”—Edwidge Danticat
There is a long, if lesser known, history of fictions (and fictive illustrations) that invite reader participation, where the reader co-creates the story with the authors. These stories often utilize an element of chance and/or suggest multiple possible ways a text can be read. Leni Zumas and Luca DiPierro, the co-creators of A Wooden Leg: A Novel in 64 Cards, discuss A Wooden Leg in light of these traditions. Leni Zumas is a professor of creative writing in the MFA program at Portland State University and the author of the short story collection Farewell Navigator as well as the novel The Listeners, a finalist for the 2013 Oregon Book Award. Luca Di Pierro is an animator and illustrator whose work appears regularly on record and book covers and in animated films. Di Pierro is also the author of the art zine Das Ding and the book of fictions Biscotti Neri.