Azareen Van Der Vliet Oloomi : Call Me Zebra

“Not many authors are compared to Borges, Cervantes, and Kathy Acker all in one breath, but that is exactly what we’re dealing with here: Azareen Van der Vliet Oloomi is a twisted, twisty genius.”–Nylon Magazine; “Van der Vliet Oloomi captures the shattered identity of the refugee and the immigrant, the way that literature becomes a lifeline in exile: a movable home, a network of dissent, a genealogy beyond national borders.”–Los Angeles Review of Books; “Hearken ye fellow misfits, migrants, outcasts, squint-eyed bibliophiles, library-haunters and book stall-stalkers: Here is a novel for you.”–The Wall Street Journal

Jen Bervin : Silk Poems

“Jen Bervin’s work—all of it—engages the eye, the hand, the ear, and the mind. Her artistry is vast and inclusive, by finesse and intelligence, by curiosity, forbearance, and vision. She knows the unexpected wonder of pattern is everywhere and that the smallest detail contains enough energy to spawn a universe. I think they should send her into space, if it were not for the fact her work has already sent us there. Her poems in themselves, those exhilirated fragments, are the purest form of the art itself—they contain the innate inner gradients of whatever takes our breath away.”–Mary Ruefle

Cheston Knapp : Up Up Down Down

“Cheston Knapp’s Up Up, Down Down has the uncanny, welcome ability to make so-called mainstream or dominant culture—white, masculinist, Christian, frat boy, & so on—appear newly strange, & newly open to analysis. He has the eye & ear of an anthropologist, a joyously expansive vocabulary, a prose style that feels both extravagant & exact, & a big, booming heart.”–Maggie Nelson; “This book made me laugh out loud in embarrassing places—a quiet Swedish train, a darkened redeye flight—& its insights will keep echoing in me for a long time.”–Leslie Jamison

John Keene : Counternarratives, Playland, and Grind

“In Counternarratives, John Keene undertakes a kind of literary counterarchaeology, a series of fictions that challenge our notion of what constitutes “real” or “accurate” history. His writing is at turns playful and erudite, lyric and coldly diagnostic, but always completely absorbing. Counternarratives could easily be compared to Borges or Bolaño, Calvino or Kiš.”–Jess Row; “Keene’s story collection is truly radical—in its politics, in its stylistic restlessness, in its rethinking of the myths we tell ourselves about race and sexuality in the history of the Americas”–Anthony Domestico

Vi Khi Nao : Umbilical Hospital & A Brief Alphabet of Torture

“These pieces are elaborate piecework—perforated, whip stitched, and distressed field-dressed dissections of language. Tortured? Maybe. But lusciously junked &  juxtaposed, turned inside out & every which way but…No, in every way they make way.”—Michael Martone;  “Imagine an entity composed of sheep, wheat, assholes, clitorises, stars. Why not? That would be this poem, this world — a perfectly recognizable post-human world which is also post surreal. Vi Khi Nao is making it new, no, she is doing the old job of making us see what’s already here in a new way.”.– Rae Armantrout

Micheline Aharonian Marcom : The Brick House

Micheline Aharonian Marcom’s The Brick House is a place where people dream of love and loneliness, of the world’s beauty, and of ongoing environmental degradation. Travelers confront their lives in the strange, elemental language which dreams allow for, a strangeness mirrored in the accompanying illustrations by Fowzia Karimi. Inspired by Calvino’s Invisible Cities and Kawabata’s House of Sleeping Beauties, and following in the tradition of Armenian illuminated manuscripts, The Brick House is in Rikki Ducornet’s words “Fierce, fearlessly erotic and always unforeseeable.”

Terese Marie Mailhot : Heart Berries

Heart Berries is an epic take—an Iliad for the indigenous. It’s the story of one First Nation woman & her geographic, emotional, & theological search for meaning in a colonial world. It’s disturbing & hilarious. It contains sentences of such poetry & power that you will be compelled to set the book down & walk away to recover from the tremors. Terese is a world-changing talent & I recommend this book with 100% of my soul.” —Sherman Alexie;  “If Heart Berries is any indication, the work to come will not just surface suppressed stories; it might give birth to new forms.” —The New York Times